Mid-shots- These enable us to see more of the body and the set, but still be close enough to see facial expressions. Below you can see examples of mid-shots from Alfred Hitchcock's Rebecca and The Birds.
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEihab9MVTkhTRJltLIrSeLTdhkusEKdn1f3w5aXoUG1i5cA5PsaNVMPefzt_PNKLgkZM_rC7E1W7NdRLThYxaTJrfW0aX89g2FPcccYT-Zj_V-sXuLlo5TA_ZGp1dfIoodK-D9qjcZq54Y/s200/mid+shot+becca.jpg)
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj8H-TMckfilxiZEthHxt5QH1A3D3_XTvLh7cJbgQucKn1F2MpcKE_czejxakrpxcNkcaMVLKdqDL8prgNsEbvPJt6qnrGiEcTc5CZewbCMBB1HnlP8jrAYTi3Fp6aTZbGo9SaMk_p1GHw/s200/mid-shot+the+birds.jpg)
Close-Ups- These show the expression and the emotion of a character in detail. Below you can see examples of close-ups from Robert Schwentke's Flighplan and Alfred Hitchcock's Marnie.
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhbbyPRjKRmYJ6rTe58Y58OpOW0vkiXzf2p9CMa_avVb3TLf8GsaEKOi4jy7WIr9LNeHQ_yJMDYOja6qXUfX77uNMJiNXGpMK2qZfK8XWFQHGVMgI6jXj9nKoogFJfK71Aot0WtlhtoggM/s200/cloup+fligh.jpg)
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhRDJJzxa-ctyUwCmpXiIZzYr5WqEwShSteCbqbGiPqIA3-_y9ERPwJcCLuH9s7S6zyeORFEG9sgK1VK1-178S5-Yh-yEK7kD4985jUySdG3yHTisLfmdBsM1aMUpaOjtYCz4YaOcgpwWI/s200/closeups+marnie.jpg)
Extreme Close-Up- This is a very tight shot menaing that only a small part of the shot is the main focus. Below you can see examples from Alfred Hitchcock's Pyscho and Ridley Scott's Blade Runner.
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi5q8wCfhESDwlzMU28kqv5Y4MI8fREOFP_jFC62MP-EAwqhurktcPnTJf_fTRTeoltT8tR60lepMr4w0AbgUD1YSlufBa2cTzxjo7xgEJQbwG1AsvOTe1FAs-wgAdI3f9vqW3iqHd3RYo/s200/ecu+-+pyscho.jpg)
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjJJCHdcX4uFjty6_hISiQFyaA_nFWumFKMvc7PK6O_zJdo4RioXcBh8uvN1nX91hboMd_gH0MQtvcP990sNCtgui5Pzgzz9LV9xID5kWZSJP-aWO32mgECOox4M5HqfqoYY1ibwqdOTpc/s200/ecu-+blade+runner.jpg)
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi5q8wCfhESDwlzMU28kqv5Y4MI8fREOFP_jFC62MP-EAwqhurktcPnTJf_fTRTeoltT8tR60lepMr4w0AbgUD1YSlufBa2cTzxjo7xgEJQbwG1AsvOTe1FAs-wgAdI3f9vqW3iqHd3RYo/s200/ecu+-+pyscho.jpg)
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjJJCHdcX4uFjty6_hISiQFyaA_nFWumFKMvc7PK6O_zJdo4RioXcBh8uvN1nX91hboMd_gH0MQtvcP990sNCtgui5Pzgzz9LV9xID5kWZSJP-aWO32mgECOox4M5HqfqoYY1ibwqdOTpc/s200/ecu-+blade+runner.jpg)
Long Shots- These show us the complete setting and where the action is or will be taking place.
Extreme Long Shot- These show us the complete setting and where the action is or will be taking place.
Mise-En-Scene
Mise-en-Scéne is a French term meaning 'what is put into the scene or frame'. Mise-en-Scene includes things such as:
Settings & Props- Setting is important as this is where the action will be taking place, it can also be used to manipulate the audience by building certain expectations. A prop is anything that is used or held by an actor for the use in furthering the story line or plot.
In our opening-
- A Bathroom
- Bath
- Bedroom
- Bed
- Hayley's House
- Hayley's Garden
Costume & Make-Up- Costume is important as it can be an instant indicator to the audience of what a character's personality or job etc. is. Make-up is important as it is used to highlight facial features.
In our opening-
- Towel
- Pyjamas
Facial Expressions & Body Language- Thses are very important when it comes to making a film good facial expression and body lanuguage can help convey certain emotions to the audience and good facial and body language can makie a character more interesting to the audience.
In our opening-
- Hayley uses a number of different facial expressions and different types of body movemnets to help create the effect that she is being traumatised by her past.
Lighting & Colour- Lighting is important as it make a particular scene look realistic or make it look more dramatic, the lighting for our opening scene was quite dark to give the opening scene darker feel.
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